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ŠRÁMY/la débattue/ work in progress.

“...Je suis assise, j’ai froid, je sens plus mes doigts tellement j’ai froid. Tabarnak. J’ai demandé au françaises si elles connaissaient La débattue. elles ont

dit non. ça doit être quelque chose de suisse que les marseillaises ont la chance ou la mal chance de ne pas connaître... pour l’instant...”

ŠRÁMY is a solo which at the same time is not a solo

--- It can be performed by one or several artists depending on how I feel or on the place where it is performed.

ŠRÁMY is a project of living dramaturgy 

--- Represents sequences of life in an unorganized manner, pieces that are cut out or pasted randomly in the course of time.

ŠRÁMY is an attempt to create an open performance structure

--- Allows hosting performers to create a new interpretation of an existing sequence including their own insight.

ŠRÁMY unites different ways of making art

--- Uses drawing, writing, sound… to achieve a unique visual and physical effect.

ŠRÁMY shows human body and speaks about it.

--- Human body which feels, hurts, records, remembers and forgets. Human body receiving marks

ŠRÁMY means scars

--- Marks of recollections, fragments of life and moments in time.

Concept: Stéphanie N'Duhirahe, Cie Pieds Perchés

Director: Stéphanie N'Duhirahe

Outside eye: B.M Baker

On stage: Stéphanie N'Duhirahe and guest(s)

Guest Performers: Hervé Munz, Cécile N'Duhirahe

supported by : Schmilblick spoke, Centre for Choreographic Development SE.S.TA